I.
II.
Edition and notes: Linda Paterson. – Rialto 3.xii.2011.
Da 210v.
Critical editions: François-Just-Marie Raynouard, Choix de poésies originales des troubadours, 6 vols., Paris 1816-1821, vol. V, p. 139 (lines 1-6); Ludwig Selbach, Das Streitgedicht in der altprovenzalischen Lyrik und sein Verhältniss zu ähnlichen Dichtungen anderer Literaturen, Marburg 1886, p. 103; Salvatore Santangelo, Poesie di Gui d’Uisel, Catania 1909, p. 23; Henry Carstens, Die Tenzonen dem Kreise der Trobadors Gui, Eble, Elias und Peire d’Uisel, Königsberg 1914, p. 63; Linda Paterson, Rialto 3.xii.2011.
Other editions: Jean Audiau, Les Poésies des quatre troubadours d’Ussel, Paris 1922, p. 76 (on Carstens); Léon Billet, Généalogie de la famille d’Ussel. Les quatre troubadours d’Ussel, leur biographie et celle de la maison d’Ussel, Egletons 1982, p. 222 (on Audiau).
Versification: a10 b10 b10 a10 c6’ c10’ d10 d10 (Frank, 577:159); two coblas unissonans. The versification is similar in all respects to that of six other pieces imitating that of a canso of Pons de Capdoill (BdT 375.10).
This brief piece is inspired by a ‘question dilémmatique’, and may be incomplete, as there is hardly a debate developed here. Gui d’Uisel, who was probably a canon, is documented in 1195 only, and his brother Eble in 1190, 1195, and before 1233. Gui’s mala canso (BdT 194.19) seems to date from shortly after 1196 (Audiau, Les Poésies, pp. 9-17; Martín de Riquer, Los trovadores. Historia literaria y textos, 3 voll., Barcelona 1975, vol. II, pp. 1009-10).