I.
II.
III.
IV.
V.
VI.
(Missing)
VII.
VIII.
IX.
Edition: Simon Gaunt, Ruth Harvey and Linda Paterson 2000; notes: Linda Paterson. – Rialto 24.i.2003.
A (34v), E (155-56), I (121r-v), K (107r), N (269r), d (308v-309r).
Previous editions: Jean-Marie-Lucien Dejeanne, Poésies complètes du troubadour Marcabru, Toulouse, 1909, p. 208 (XLIV); Ruth Harvey, The Troubadour Marcabru and Love, London, 1989, pp. 91-101; R. N. B. Goddard, «The iconography of the whore in Marcabru’s Soudadier per cui es iovens, Marbod of Rennes and the Beatus of Liébana manuscripts», Romanische Zeitschrift für Literaturgeschichte, 11, 1987, 277-91, stanzas I-VI; Simon Gaunt, Ruth Harvey and Linda Paterson, Marcabru: A Critical Edition, Cambridge, D. S. Brewer, 2000, p. 544.
Versification: a8 a8 a8 a8 b6’ c4 b6’ c4 (Frank 40:2), nine coblas doblas, ‘b’ and ‘c’ rhymes constant. There are some signs of scribes considering that the last four lines of the stanza may be two with internal rhymes.